Collection of procedural vector type animations made with Cavalry

2023 Type Experiments

I was approached by Emerce Magazine to design a cover for their special issue of the 100 best companies in e-business.

For their 20th anniversary, the Berlin based Ucon Acrobatics approached me to be part of the 2nd edition of Motif, a collaborative design project with 20 artists ouf of 20 countires, designing 20 unique pattern designs, limited to 20 pieces.

Self initiated typographic series based around isometric grids

Part 4 in this series of self initiated abstract works

Cover and inside design for Fortune Magazine China Top 500

Book design for "The Great Gatsby - Deluxe Edition" by Penguin Classics

Cover Design for Private Equity News Magazine

Self initiated series based around isometric grids.

I was approached by Fortune Magazine China to design a cover for the Top 500 Chinese companies.

I was approached by Serif to make an image for their vector software Affinity Designer. The goal was to make an isometric typographic piece with the slogan ‘Power and Precision’. Client: Serif Company Typography / Art Direction: Mario De Meyer

I was approached by the World Economic Forum to design the cover artwork and campaign assets for a Geopolitical Report that helps mark the 50th anniversary of the organisation.

Book cover design for Tom McCarthy's "The Making of Incarnation"

Collections of works done for Fortune Magazine / Autumn 2019

I was approached by Handelsblatt / Germany to design a series of typographic images for a special about luxury watches. The special is about the “A-to-Z of watches” and consists of several words related to time and an alphabet.

I was approached by NewScientist to design a cover for an issue about the true origins of space-time. The goal was to have an image that has a feeling of something being created and weaved togheter.

Series of personal abstract works, the result of many late night experiments

Self iniated typographic series based around isometric grids

I was approached by The Real Deal magazine to design a cover for The Data Book 2019. This is a book of real estate statistics and facts, covering data points through 2018.

I was approached by Fortune magazine to design a cover for the Investor’s Guide 2019. The US edition was printed in Pantone gold, the same concept was used for the European and Asian editions.

Goodtype The Book Volume 2, is a 288 page curation of beautiful and eclectic letterforms from designers around the world. The collection encompasses a multitude of lettering styles from hand lettering, to computer generated 3D-type, to hand painted murals, to traditional calligraphy. This is my contribution to the book.

36 days of type is a project by Rafa Goicoechea & Nina Sans that invites designers, illustrators and graphic artists to give their particular view on the signs from our alphabet. 36 days of restless creativity, in which participants are challenged to design a letter or number for each day, resulting in an overall view of the ability to represent the same sign from many different perspectives. This is my contribution to the project.

Cover design commissioned by Obras magazine The issue is a special about the 10 best architectiual smart firms. Client: Obras magazine Art director: Cynthia Monterossa Illustration / Typography: Mario De Meyer

I was commissioned by New Scientist magazine to design an illustration for the article “The Shape of numbers’ about the relationship between arithmetic and geometry (numbers vs. shapes)

I was approached by IEEE Spectrum to design typography for the January ‘Top Tech 2018’ issue. The project consists of a cover image and a second image for the features opener.

Adobe Animate CC 2018 - Official Splash Screen

36 days of type is a project by Rafa Goicoechea & Nina Sans that invites designers, illustrators and graphic artists to give their particular view on the signs from our alphabet. 36 days of restless creativity, in which participants are challenged to design a letter or number for each day, resulting in an overall view of the ability to represent the same sign from many different perspectives. This is my contribution to the project.

Seneca college is celebrating 50 years, I was commissioned to illustrate the cover and features opener for their Seneca RED magazine. As the celebration is not only a look in the past, but also in the future, we decided to illustrate a classic golden “50” for the cover and a technical looking “5.0” for the features opener representing data, information and the future.

I was commissioned by Adobe to make a visual for the 'Experience' seminar at the Cannes Lions Festival 2016. 'Experience' is a seminar which will explore how risk-taking, fighting against industry norms and breaking out of silos are critical to delivering breakthrough experiences. Equally, it will discuss what new types of content, design and experiences are shaping our future and culture, as well as how agencies can adapt to this approach and partner better with clients to create impact. Speakers: Stefan Sagmeister - Designer, Co-founder - Sagmeister & Walsh Billie Whitehouse - CEO - Wearable Experiments John Travis - Vice President, Brand Marketing - Adobe Art Direction: Kashka Pregowska-Czerw Typography: Mario De Meyer Client: Adobe

Barron's Magazine / ETF I was approached by Barron’s magazine / Dow Jones to design typograpy for an article about Electric Trade Funds. Client: Barron’s magazine / Dow Jones Art Director: Robert Connolly Typography: Mario De Meyer

I was approached by IEEE Spectrum to design typography and illustrations for their special ‘Blockchain World’ issue. I’ve tried to conceptualize what a blockchain actually is by using cascading, interlinking chains of blocks to evoke the technology’s ingenuity and complexity. The project consists of a cover image, TOC image, several spreads and some full pages.

36 Days of Type is a project by Rafa Goicoechea and Nina Sans that invites designers, illustrators and graphic artists to give ​their particular view on the signs from our alphabet. 36 days of restless creativity, in which participants are challenged to design a letter or number for each day, resulting in an overall view of the ability to represent the same sign from many different perspectives. A project that aims to create a space for creation around typography and its endless graphic possibilities. This is my contribution to the project

Show us your type: SEOUL presents the latest installment of a global typography initiative where cities and typo meet. It’s a project set up with an aim to provide a platform for artists and designers to share their talents and explore the world from a different perspective using creative typography. This is my contribution for ShowUsYourType - SEOUL

Entrepreneur Magazine approached me to design 2 typographic images for their "Francise 500" issue. Client: Entrepreneur Magazine Art Director: Evelyn Good Typography: Mario De Meyer

Goodtype The Book Volume One, is a 288 page curation of beautiful and eclectic letterforms from 175 artists and designers around the world. The Collection encompasses a multitude of lettering styles from hand lettering, to computer generated 3D-type, to hand painted murals, to traditional calligraphy. This is my contribution to the book.

I was approached by Hoppy Beverages Japan to design a winter/christmas-themed poster for the Hoppy Art Land poster series.

I was commissioned by Inc. to design a cover, a custom font and several spreads for their 'America's 500 Fastest Growing Private Companies' issue. Client: Inc. Magazine Art Director: Blake Taylor Typography: Mario De Meyer

Show Us Your Type: Berlin revisited 2016 presents the latest instalment of a global typography initiative where cities and typo meet. It's a project set up with the aim to provide a platform for artists and designers to share their talents and explore the world from a different perspective using creative typography. This is my contribution for 'Berlin revisited 2016'

Self initiated typographic project inspired by the Moloko song 'Pure Pleasure Seeker'.

I was commissioned by Time Inc. to make an Illustration for the "Good Stocks For Bad Times' article. This is my interpretation of hot stocks during turbulent times. Art Director: Michael Solita Illustration: Mario De Meyer Client: Time Inc. / Fortune

Commission for a full page type project for Bloomberg Markets Magazine. Art Direction: Siung Tjia Typography: Mario De Meyer Client: Bloomberg

Novelty Waves 2 Series of abstract works. The result of many late night experiments.

I was invited by AIGA (The American Institute of Graphic Arts) to make 5 design quotes that revolves around creativity.

36 Days of Type is a project that invites designers, illustrators and graphic artists to give ​their particular view on the signs from our alphabet. 36 days of restless creativity, in which participants are challenged to design a letter or number for each day, resulting in an overall view of the ability to represent the same sign from many different perspectives. A project that aims to create a space for creation around typography and its endless graphic possibilities. This is my contribution to the project

"Good Name Is Better Than Silver & Gold" is a self initiated typographic project inspired by the fantastic William Onyeabor.

series of personal abstract works. One of the works was used as a splash screen for Adobe Prelude CC2015

Part 2 in an ongoing typographic series based around songtexts (model 500 - The Flow)